January 1952: The Ghost Who Wasn’t Dead


Strange Adventures 16 (Jan. 1952) anticipates Dr. Strange with the story The Ghost of Captain Comet.
When the Midwestern town of Pineville panics after dead people begin to reappear there, the skeptical Captain Comet decides to send his own “ghost” to investigate.
This new power of creating a mental image of himself would be duplicated later in Stephen Strange’s astral projections.
Comet learns that all the “ghosts” are really an alien energy creature trapped here by an H-bomb test, and forced into the shape of various dead people by the telepathic longings of those who miss them.
The superhero is able to return the frightened being to his real form – a puff of smoke — and his home dimension.
This Captain Comet story anticipated the brilliant Quatermass and the Pit, a BBC science-fiction serial transmitted live in December 1958 and January 1959.
The third and last of Nigel Kneale’s Quatermass serials began with the appearance of “ghosts” and other spooky phenomena in Hob’s Lane, a London street long said to be haunted. In fact, the effects are caused by the telepathic transmissions of a buried five-million-year-old Martian space ship that is about to be unearthed by excavations.
The protagonist, Prof. Bernard Quatermass, is a clear successor to Conan Doyle’s Prof. Edward Challenger and an ancestor of Dr. Who. Hammer Film made an excellent movie of the story in 1967 as Five Million Years to Earth.
Intellectual, analytical, ethical, humane, open-minded but dismissive of superstitious bunk and irrational twaddle, cool even in a vast crisis, the 1950s BBC hero Quatermass is the polar opposite of the assorted assassins and prostitutes that contemporary popular culture often offers as role models.
The U.S. had ended World War II by developing and detonating the most fearsome technology ever known to humanity, and American respect for science and technology was high when DC’s science fiction comics were being published in the 1950s. So rationalism ruled, despite the inherent absurdity of the subject matter.
Superstition was routinely derided, and any apparent incursion by the supernatural forces like “ghosts” was explained away by story’s end. DC Comics anticipated Scooby-Doo on that score.
Pseudoscience was fine. The improbable — and even the impossible — was no problem. But the uncanny was unacceptable.

Comments

  1. Nicholas Burns wrote:
    Belief in 'out of body experience' is part of many forms of philosophical and religious thought around the world --including Judeo-Christian faiths. In the late 1800s, 'astral projection' was popularized in the USA by the Theosophical Society which still exists today. Such preexisting beliefs, and the wide publicity they received, made the 'ectoplasmic self' an easily understood and accepted visual and conceptual device in comics -- one both esoterically cool, visually interesting, and useful. 🤓

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  2. Paul Zuckerman wrote:
    Broome almost always went with a scientific explanation. He didn't seem to go for magic as someone like Gardner Fox might. When Broome created a magician, it was through future science (Abra Kadabra). So, this story is right in tune with that. There is only one story I can think of off-hand in which he allowed for something perhaps not scientific -- the Flash story Doorway to the Unknown in which Flash is visited by a spectral vision of someone he discovers had just died. Well, perhaps one other story -- the Secret Origin of the Guardians, in which a hand is seen at the creation of the universe. Spiritual, not spirits.

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  3. Daniel Bonner wrote:
    Excellently informative commentary. Thanks.

    ReplyDelete
  4. Paul Hylemon wrote:
    How criminally underrated is Murphy Anderson!?

    ReplyDelete
  5. Andrew Macaluso wrote:
    Dan Hagen, the Captain was like the symbol of his age. Pre- Pure Silver Age Goodness and SCIENCE!

    ReplyDelete

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